euronews- With �The Salesman�, Iran�s Oscar-winning director Asghar Farhadi offers once again a multi-layered masterwork of neorealism.

Emad and Rana are a happily married couple who live in Tehran. They are members of an amateur theatre group that�s putting on a production of Arthur Miller�s �Death Of A Salesman�. After they are forced to leave their flat which is crumbling down and move into a new place, Rana is the victim of a violent attack. It turns out the flat�s former occupant was a prostitute and the attacker was probably one of her clients. Emad sets out to find him.

�The Salesman� is not just a drama but a meditation on the condition of women and the place of tradition in modern-day Iran. Rana decides not to go to the police � a decision clearly influenced by her and Emad�s fear of what others might think.

A study on violence and how it can push even the wisest to seek revenge, the film also raises the universal question of forgiveness.

Carefully scripted to bypass censorship, �The Salesman� leaves a lot up to the viewer � a freedom of interpretation we hope you will enjoy as much as we did. See you soon.